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  • Villa Vassilieff

    Villa Marie Vassilieff
    Chemin de Montparnasse
    21 avenue du Maine

    75015 Paris
    +33.(0)1.43.25.88.32

Ingela Ihrman / Pernod Ricard Fellowship 2019

Ingela Ihrman's portrait, in the Pernod Ricard Studio, Villa Vassilieff, 2019
Ingela Ihrman, born in 1985, is an artist based in Malmö. She studied at Konstfack, Stockholm and grad­u­ated with an MFA in 2012. Her prac­tice moves freely between per­­for­­mance art, instal­la­­tions, and writing. Costumes and staged sit­u­a­­tions are reoc­cur­ring ele­­ments in her pre­sen­­ta­­tions, bringing crea­­tures into life while giving birth or blooming. Her work is char­ac­ter­ized by tac­tile craft tech­niques and poetic absur­dism, and bor­rows from ama­­teur the­atre, as well as from science. Limiting norms, notions like lone­li­­ness and belonging, and rela­­tions between dif­ferent life forms are dis­­­cussed within her work. Ihrman’s recent solo exhi­bi­­tions include Varm saft, Kristianstads kon­sthall (2018), The Inner Ocean, der TANK, Institut Kunst, FHNW Academy of Art and Design, Basel (2017), and Future Flourish at Tensta kon­sthall, Stockholm (2016). She par­tic­i­­pated in Omnejd, Lunds kon­sthall (2018), Metemorphoses - let every­thing happen to you, Castello di Rivoli, Turin (2018), the 11th Gwangju Biennale, The Eighth Climate (What does art do?) (2016); The Swamp Biennal, Art Lab Gnesta (2016); Survival K(n)it 7, Latvian Centre for Contemporary Art, Riga (2015) among others. Ihrman made set design and cos­­tume for IMMUNSYSTEMET, a dance per­­for­­mance by Rosalind Goldberg, Sandra Lolax and Stina Nyberg (2017). She is cur­rently working on a the­atre play with director Maja Salomonsson that will premiere at Ögonblicksteatern in Umeå, autumn 2018.

Ihrman’s pro­­ject for the Pernord Ricard’s Fellowship will depart from the artist’s rela­­tion­­ship with her stomach. During her research, the artist aims to expand her knowl­­edge of metabolism, bac­te­rial flora, and the so-called “bowel brain” (the ner­vous system of the intestines). She is par­tic­u­larly inter­ested in the Swedish term “orolig mage” (stomach with agony), which refers to both a wor­rying mind and upset intestines. For her pro­­ject, the green algae Ulva intesti­­nalis will func­­tion as a link between the intestinal flora and the flora of the sea – a slip­pery path back into the water, where the algae hold the ability to bind the sun’s energy. Over time, the sun­­light con­verted by the plant meta­­mor­phoses into fossil fuels. One of the aims of Ihrman’s pro­­ject is to see if the reserves of energy in the stomach can be as highly valued as the layers of crude oil in the inte­rior of the earth. The artist desires to put nature and anatomy in con­ver­sa­­tion, exploring the idea of time, light, and algae playing part in forming the soft fat of the stomach, as well as fossil fuels. The artist intends to work with marine biol­o­gists, per­­ma­cul­­ture spe­­cial­ists, as well as with tra­di­­tional and alter­­na­­tive med­ical sci­en­tists.

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