Images
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Photograph by Maurice-Louis Branger, artifacts from the Duncan Collection.
Courtesy: Maurice-Louis Branger / Roger-Viollet and Duncan Collection.
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Work by Ieva Epnere, artifacts and photograph from the Duncan Collection.
Courtesy: Ieva Epnere and Duncan Collection.
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Ieva Epnere, Green School, 2017 (detail)
Courtesy: Ieva Epnere
Image: Aurélien Mole.
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Details of Ieva Epnere, Green School, 2017, image from Duncan Collection.
Courtesy: Ieva Epnere and Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Work by Ieva Epnere, artifacts and photograph from the Duncan Collection.
Courtesy: Ieva Epnere and Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Work by Ieva Epnere, artifacts and photograph from the Duncan Collection.
Courtesy: Ieva Epnere and Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Mai-Thu Perret, Untitled, 2014.
Courtesy: Mai-Thu Perret
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Michael Duncan Merle, Aia Bertrand’s sandaled feet, New York City, 1957
Courtesy: Duncan Collection.
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Works by Mai-Thu Perret, Barbara Gaile and photographs from the Duncan Collection.
Courtesy: Mai-Thu Perret, Barbara Gaile, and Duncan Collection
Image : Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Works by Mai-Thu Perret, Barbara Gaile and photographs from the Duncan Collection.
Courtesy: Mai-Thu Perret, Barbara Gaile, and Duncan Collection
Image : Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Barbara Gaile, La Verticale, 2017 and photographs from the Duncan Collection.
Courtesy: Barbara Gaile and Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Barbara Gaile, La Verticale, 2017 (details) and photographs from the Duncan Collection.
Courtesy: Barbara Gaile and Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Works by Mai-Thu Perret and photographs from the Duncan Collection
Courtesy: Mai-Thu Perret, VNH Gallery and Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Mai-Thu Perret, An ornate jar filled with shit soup, 2008.
Mai-Thu Perret, lt’s crooked like the pine. lt’s mottled like the stone, 2008.
Courtesy: Mai-Thu Perret & VNH Gallery
Image : Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Archive and photographs from the Duncan Collection.
Courtesy: Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Orson Welles, Around the world with Orson Welles : Paris After Dark, 1955 (extract)
Courtesy: Impex Film
Image : Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Archives from the Duncan Collection.
Courtesy: Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Archives from the Duncan Collection.
Courtesy: Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Mercedes Azpilicueta, Pink popping plank, 2018.
Courtesy: Mercedes Azpilicueta.
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Works by Mercedes Azpilicueta and Ieva Balode.
Courtesy: Mercedes Azpilicueta and Ieva Balode
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Mercedes Azpilicueta, Pink popping plank (detail), 2018.
Courtesy: Mercedes Azpilicueta
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Daiga Grantina, Ink waves cobble bread, 2017 and a photograph from Duncan Collection.
Courtesy: Daiga Grantina and Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Ieva Balode, Equal Tense, 2017-2018.
Courtesy of Ieva Balode
Image : Mathilde Assier
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Photographs from the Duncan Collection
Courtesy: Duncan Collection
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Raymond Duncan, pair of woven sandals, circa 1930
Courtesy: Duncan Collection
Image : Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Daiga Grantina, Ink waves cobble bread, 2017.
Courtesy: Daiga Grantina
Image: Mathilde Assier
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Daiga Grantina, Ink waves cobble bread, 2017 (details)
Courtesy: Daiga Grantina.
Image : Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Works by Andrejs Strokins and Mercedes Azpilicueta.
Courtesy: Andrejs Strokins and Mercedes Azpilicueta
Image: Aurélien Mole
- Exhibition view of « Akademia: Performing Life », Villa Vassilieff, Paris, 2018.
Andrejs Strokins, Untitled, 2018.
Courtesy: Andrejs Strokins.
Image: Aurélien Mole.
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