Participants
Dominique Bermann Martin —André Lhote’s niece— is the depositary of the Painter’s archive and ensures its classification. Bermann Martin is expert and responsible for the moral right on the work of André Lhote. She is currently writing a catalogue raisonné of André Lhote’s painterly work. Amongst her publications are Paulhan-Lhote, Correspondance 1919-1961, Édition établie, anotated and presented by Dominique Bermann-Martin and Bénédicte Giusti Savelli, collection Les Cahiers de la NRF, Paris: Gallimard, 2009; "La collaboration d’André Lhote à La NRF: La critique d’art envisagée par un peintre" in La place de la NRF dans la vie littéraire du XXème siècle: 1908-1943: Les Entretiens de la Fondation des Treilles, Paris: Gallimard, 2009 collection Les Cahiers de la NRF.
Fanny Drugeon, a Doctor in Contemporary Art History, wrote her thesis on the relationship between abstraction and the Catholic Church after 1945. She teaches art history in several places (Colleges of Art, École du Louvre, Prep Art School Les Arcades…). She has published many articles and essays on contemporary art, and co-edited L’art actuel dans l’Église (Ereme, 2012). She is an associated member of the Labex Création, Arts et Patrimoine and of the AICA-France (Association Internationale des Critiques d’art). Her current research looks at Parisian cosmopolitanism in the second half of the 20th century.
Zeynep Kuban is a Professor of History of Art and Architecture at Istanbul Technical University, Faculty of Architecture. Her main interests in research and education are Ancient Architecture and the Art and Architecture of the early 20th Century. She is the head of the Art History program at ITU. Kuban has taught in Gemany at BTU-Cottbus, LMU Munich and TU- Berlin. She is engaged in heritage education for children in archaeological sites, Turkish Co-director of the Austrian excavation in Limyra in the south of Turkey. Member of ICOMOS-Turkey, Koldewey Stiftung, Guiding Architects Association.
Simone Wille is an art historian and she is currently the head of research of "Patterns of Trans-regional Trails", a project that examines the materiality of artworks and their place in Bombay, Paris, Prague, Lahore, from the 1920s to early 1960s. It is funded by the Austrian Science Fund (FWF) - Project Number P29536-G26. Wille is affiliated with the University of Innsbruck. Her first book, Modern Art in Pakistan: History, Tradition, Place was published by Routledge in 2015.
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